“There was no other actor to play this character, he is the best performer to guide us through three hours from Oppenheimer's point of view. I have demanded so much of him as an actor and he demands so much of himself that it seems impossible to find someone like him. His ability to represent the character surprised me every day on set, but later also in the editing room.
This reboot, which was planned to be a miniseries or limited series, has found in its diversity, its new narrative and its updated topics to modernity, something that remained as a pending account in its predecessor.
‘Fatal Attraction’ is fun while it permeates personality disorders, isolation, fathers and daughters, and murder. It's about how some people just can't take the win. It's about self-image and what we'll do to protect it and also what happens when someone doesn't have one. With Joshua Jackson in Michael Douglas’ character, that doesn’t look really like their predecessor.
The actor is a fan of Spain and recently he visited Madrid where he fell in love with the Prado Museum. Brian Cox will go down in history for his incredible incarnation of Logan Roy, the head of the family of the impossible corporation who stars in “Succession”', a production that presents its fourth and final season while looking for a place at the top of the best series in history.
It took her almost three decades to receive the second nomination of her career. Bassett said to us that she’s often had to eschew expectations with her career, even up to this current time in which she’s become the first actor to ever be nominated for a Marvel movie.
When she lands the only job she can find, writing obituaries, Nell starts getting some advice from some unlikely sources. This show is a celebration of growth, self-reflection, and the power of friendship, with a quirky twist and some permanent ghosts.
. TÁR is the story of a powerful conductor but it is, before anything else, an x-ray of power, with all that that means, from the veneration that the distinguished honor of an orchestra conductor infuses in its wake. Along the way there are questions as current as the distance that separates a creator from his work or to what extent the author's evil seeps into his work more or less.
Bardo, that space of the Buddhist religion that transfers the soul from life to death, is the last journey, the immigration that awaits us all. In 'Bardo' he deconstructs the identity of the emigrant who, like Iñárritu himself, forms his family far from his roots to find himself, despite success, feeling like a man without a country, a displaced person who is not even from here, the United States, nor from there, in his case Mexico.
From The Notebook to The Last Song, to his latest, The Longest Ride, his rich storytelling leaves readers wondering: How does he continue to write so many novels, each seemingly better than the last? This is the story of two very different couples, Ira and Ruth on one side and Sophia y Luke.
Reynolds sits with us to talk about this new adventure that is filmed in a six-part documentary series about to debut on FX in the U.S. The film follows the Hollywood pair transforming the club’s stadium plus the universal tale of every football fan’s emotional rollercoaster. After visiting Madrid, and the Real Madrid Stadium, Reynolds fell in love with the country and with football.
