Bardo, that space of the Buddhist religion that transfers the soul from life to death, is the last journey, the immigration that awaits us all. In 'Bardo' he deconstructs the identity of the emigrant who, like Iñárritu himself, forms his family far from his roots to find himself, despite success, feeling like a man without a country, a displaced person who is not even from here, the United States, nor from there, in his case Mexico.